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| Highest Rated 2006
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Yes, an odd choice, but
what can you do? This original review to the contrary, one of the
Canadian power trio's most accomplished efforts. A welcome return to
form after devastating misfortune.
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Scottish upstart retains its loud-fast roots while
maturing into a gracefully poetic outfit. Classic punk-fueled rock with
echoes of the Smiths, R.E.M., U2 and Big Country.
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Lost
Highway's re-release of this 2001 gem should bring this flawed but
stirring and thoughtful song cycle to a deservedly wider audience.
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Earle at his rabble-rousing, crowd-rocking best: Condemning American
imperialism with one hand, executing mournful ballads and sprightly
rockers with the other.
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I
know it's only by-the-book hard rock riffology, phoned in by Chris
Cornell and whipped into a versatile frenzy by the Zach-free Rage
Against the Machine. But I like it.
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The
second half lags a bit, but the hitmaking Neptunes (Pharrell Williams
and Chad Hugo, plus cohort Shay) prove they've been holding out on the
Britneys, Nellys and Jay-Zs of the world. Why don't more records sound
like this?
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With this
Scottish side-project supergroup, Gary Lightbody stakes his claim to the
mantle of this generation's Nick Drake. Pretty, shimmering melancholy at
its near-best.
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It
doesn't take names the way Steve Earle's Jerusalem does. But this
occasionally self-important post-9/11 treatise does kick some ass, in a
"Yeah! Max Weinberg's back!," comfort-food sort of way.
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Okay, so
it's a homemade CDR of demos and leftovers available only on Ryan's
website. But the criminally under-valued singer-songwriter offers some
affecting moments worth hunting for.
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Oversold?
Certainly. But there are some intriguing experiments on this bold break
from the dark pop of Summerteeth and the rootsy foundations of
earlier albums. It'll be interesting to see where Wilco goes from here.
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