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Put Down The
Remote
Posted:
November 05, 2005
By
Kevin Forest Moreau, Executive Producer
It's been a long time since my last editorial, and a lot has happened.
Some good (I got married) and some bad (Hurricane Katrina decimated my
hometown of New Orleans). I've started to write about one or both of
those subjects for Shaking Through many times, and each time
ultimately concluded that I didn't have anything to say about either
subject that fit into the context of this site. Sure,
I could
have gone the Clemenza route and just talk about whatever came into
my head, regardless of whether it had anything to do with the
pop-cultural beat that we walk here at Shaking Through. And maybe
I will, at some point.
But it seemed important to me that in the midst of all this change and
upheaval -- the good and the bad -- some familiarity, some stability,
was needed (at least I certainly needed it). So I made the
decision that any editorial would stick to tried-and-true Shaking
Through territory. And then of course, I couldn't think of
anything to editorialize about within those parameters. And so you've
had to stare at my Ten
Commandments of Classic Rock for almost three months. It's not the
first time we've gone so long between editorials, although hopefully
it'll be the last.
Anyway, I thought I'd dip my toe back into the waters by talking about
the movie industry. You may have heard it's in a slump. According to
MarketWatch, the industry could ring in less than $9 billion in
domestic box-office receipts for the first time since 2001, and
box-office revenue is down 6.1% from last year and 3.7% from 2003.
Entertainment Weekly has the year at down 6.6% -- almost $500
million – from last year, and painted a pretty gloomy picture in an
article in its Nov. 4 edition.
Clearly, something's not working, and there don't appear to be any easy
fixes. I'm not a film-industry expert or analyst -- heck, I'm not even a
movie-geek blogger -- but I've got a couple of wild-stab-in-the-dark
suggestions on how to (possibly) improve things. I'll present one here
today, and follow up with another one fairly soon.
This one's pretty obvious: Let's stop with the TV-show remakes
already. As fun as it is to imagine how Hollywood might approach
future cinematic rehashings of favorite and familiar (and even not so
favorite or familiar) TV programs -- heck, we've done it twice on this
site,
here and
here -- it's pretty obvious that Tinseltown is scraping the bottom
of the barrel, creatively. If you don't believe me, I've got four words
for you: The Dukes of Hazzard. Sure, it was a marketer's dream,
but c'mon, it made the original TV series (which wasn't exactly
Shakespeare to begin with) seem like 60 Minutes by comparison.
I've got another word for you: Bewitched. The day Nora Ephron and
crew announced that they were going to take a Charlie Kaufman-style
approach to the show, everyone involved should have thrown in the towel.
It stands to reason: If you can't find a way to do something with the
original source material -- anything at all, never mind something new or
innovative -- then you should just call it a day.
Granted, the editorials I linked to two paragraphs back are full of
imagined scenarios that bear little resemblance to their original
TV-show sources. But those are all in fun, and they at least bear more
surface resemblance to their source material than Bewitched did.
I can't help but think that Bewitched -- and, to a degree,
Adaptation,
its most obvious influence -- are acknowledgments of creative failure. I
mean, seriously, how hard is it to cook up a two-hour piece of fluff
based on the premise of a housewife who happens to be a witch, who keeps
trying not to use her powers around her perpetually panicky dork of a
husband? Can't do it? Then return the advance and let someone else take
a shot. (I smell a new humor piece coming on -- Shaking Through
imagines the remakes that should have been.)
So let's propose a moratorium on TV-show regurgitations, at least until
some unsung genius brilliantly reinvents 21 Jump Street for the
21st century. Are you listening, movie executives? Put down the remote,
and step away from the television. Go read a book or something. In the
meantime, let's go out there and support the good movies that deserve
to be seen, which would, in a perfect world, lead to better product and,
maybe, a healthier industry. Go on; I'll wait while you go see
Good Night, and Good Luck. And when you get back, I'll have another
idea or two to discuss. Happy viewing.


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