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A Blast From the
Past
Posted:
April 29, 2005
By
Kevin Forest Moreau, Editor-in-Chief
Almost two and a half years ago now,
I
reviewed Pearl Jam's most recent studio album, Riot Act. To put this
sepia-toned, faraway time in perspective for you: We had not yet invaded
Iraq; Howard Dean had not yet emitted the rebel yell that would sink his
presidential hopes more than a year later; Chicago, Gangs of
New York and The Two Towers were the hotly anticipated movies
of the day. No one had yet heard of Clay Aiken or Franz Ferdinand, and
no one gave a crap about Paris Hilton. I had not yet met the wonderful
woman I'm scheduled to marry later this summer. The world, in short, was
an entirely different place than it is today.
I mention this because, believe it or not, that review is still getting
mail. Seriously. Previously in this space,
I shared some of the
initial feedback I received over the period of a couple of months
after the review was posted. One of the fervent Pearl Jam fans I quoted
was a fellow named "Jawn," who chose "Pearljamslion" as his e-mail
handle.
Well, I'm here to tell you that the passage of time hasn't cooled Jawn's
ire one bit. On Tuesday, April 26 -- again, almost two and a half years
after the original review was posted -- I received a follow-up missive
from the Lion himself. Let's just jump right into it:
All grammar aside here, right?
I saw your response to me on the 'Riot
Act' review album about how you
addressed Sir Lion on the matter - to be blunt & get right to it...
Your review was stupid in every context...
Especially how you started off with writing about how Pearl Jam
"misname"
their albums - No, they dont
Ten = mookie baylocks number.. how is that naming the album wrong?
Vs = It was Pearl Jam against the media, how is that misnaming the
album?
they felt like they were in a fight
Vitalogy = a book based on life, such as much of the concept was with
'Vitalogy', revolving around death with songs such as 'Immortality'
No Code = Its called 'No Code' because it really doesnt belong to any
genre.. the experimentation is off the charts on that album.. every song
sounds like a different genre almost & with different styles... such as
'Who
You Are' to Lukin'... they didnt misname the album at all, it makes
perfect
sense to call it 'No Code'
Yield = This is when Pearl Jam finally DID slow down against their
public
attention & relax
Binaural = Made to listen to with both ears.. it was recorded to be
listened
to with both ears
Riot Act = It is a slightly concept revolution album against a lot of
stuff
going on with politics
- So you see, right from the beginning you started the review off with a
moronic statement.. its like you were trying to figure out how PJ
misnamed
their albums, when they didnt - it was so idiotic..
Your review was lame. Period.
I think a letter as reasoned as that deserves an equally thoughtful,
measured response, don't you? But I'm going to craft an intelligent
reply anyway. Here goes …
Dude:
Where do I start? Maybe we should begin by revisiting the introduction
you're so obsessed with.
"Pearl Jam has a funny habit of misnaming its albums. The band's 1991
debut, the smash hit Ten, contained 11 tracks (yes, we know all
about the Mookie Blaylock connection, but go with us on this one); …"
I don't see how it can be any clearer: Right off the bat, I acknowledge
the fact that my whole theme about misnaming albums is a conceit. It's a
device. I even go out of my way to ask you to just go along with it for
a minute. It's like the belabored twist in an M. Night Shyamalan movie:
You either go with it or you don't. (I even address your Mookie Blaylock
connection: I know that 10 was the jersey number for the famous
basketball player, and that the band originally named itself after him
before deciding on "Pearl Jam.")
Now, I could go on and on about how you say the review was "stupid in
every context" but only zero in on one context, or how you adopt a
condescending tone ("So you see,") like you were talking to a child,
even as you write like one. (And no, all grammar not aside -- you
want to be taken seriously, you have to follow the rules of punctuation,
spelling and beginning sentences with a capital letter. Sorry, that's
just the way it is.)
But frankly, who has the time? If you didn't like the review, that's
fine. But for the love of all that's holy, man, LET IT GO. It was
two and a half years ago already. At the very least, if you're
going to rekindle a debate from so long ago, you need to bring something
heftier to the table than a belabored, point-by-point dissection of how
Pearl Jam's album titles accurately reflect the albums themselves --
dude, I spent like one paragraph on this device; it's not even
the main thrust of the review.
Let's be honest here: Your main problem with the review is that it
doesn't agree with your opinion. If I started with the same intro but
went on to praise Riot Act, we wouldn't be having this
discussion. You're a Pearl Jam fan; fine, bully for you. I hope they
bring you many more years of pleasure, I really do. But instead of
arguing the album on its merits, you zero in on a couple of nits and
pick the hell out of them, and you won't sway any minds to your cause
that way.
You want to defend Pearl Jam's musical integrity? Great. Be my guest.
But do it, already. Don't be fooled just because this is an
Internet site. Shaking Through isn't your average podunk blog
maintained by some obese, pimply-faced 50-year-old virgin who still
lives with his mother, posting his thoughts on the latest CDs after
pulling a double-shift at Pizza Hut and pleasuring himself to some anime
porn.
I'm a professional writer, and Laurence Station, regardless of whether
you agree with his opinions, knows an awful lot about music. If you
disagree with us, fine. But address the real subject matter, not the
garnish. Don't focus on one little nitpicky point, ignore the meat of
the review, and expect us to bow our heads in defeat. It just doesn't
work that way here. Period.
Thank you for contributing clicks to our pageview count, and keep on
rockin' in the free world.
Sincerely,
Kevin


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